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Fleetwood mac albums fleetwood mac
Fleetwood mac albums fleetwood mac











Christine McVie was reported to have been in the hospital with a serious illness, while Buckingham and Nicks were named as parents of Fleetwood's daughter Lucy, after being photographed with her. This also led to the press publishing inaccurate stories about their private lives. Mick Fleetwood also faced domestic problems of his own, after discovering that his wife Jenny, the mother of his two children, had had an affair with his best friend. The couple would only stop fighting when they worked on songs together. The couple had stopped talking to each other, and only discussed musical matters at band meetings.īuckingham and Nicks were also having an on/off relationship, leading to various fights and arguments. This had been the first album with vocal duo - and couple - Stevie Nicks and Lindsey Buckingham, who had joined original members Mick Fleetwood and John McVie, and his wife Christine McVie, who had joined a few years previously.Īfter six months of constant touring, the McVies divorced, ending their eight years of marriage.

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Here is the story behind a tumultuous but utterly brilliant album.īefore Rumours, Fleetwood Mac had released their 10th, self-titled, album.

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'Dreams' by Fleetwood Macīut at the time, no-one making the band would have thought they could have even have completed the album, let alone create what would turn out to be masterpiece.

  • The 20 greatest Fleetwood Mac songs, ranked.
  • A shame then, that this would also be Danny Kirwan's last album before being fired during the album's accompanying tour. Whilst Fleetwood Mac were yet to tap into truly grand mainstream success ( Bare Trees took a few years to get to Gold status), you can still grasp the fact that in terms of songwriting, Fleetwood Mac were attempting to spread their wings further into the helms of a bigger fan-base. The same point can be said for Kirwan with his contrast of plain hard rockers such as opener "Child of Mine" and the softer, more elegant "Dust" (One of two songs based around a poem, and certainly a better song than the other), complementing Bob Welch's mostly softer input but definitely matching up to it. The latter, even though vocal delivery is relatively simple in contrast, feels a lot stronger and more accessible as a result, and so when comparing the two, this is seemingly more obvious. However, McVie's vocal delivery seems more strained on the former, and it's only really with her talented keyboard performance that the song manages to redeem itself. McVie, for instance, sings on both of her own songs, yet the vocal range used in "Homeward Bound" is different and for that reason less remarkable than in "Spare Me a Little of your Love", the latter of which becoming a live staple for years to come.

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    This sixth album also sees Fleetwood Mac aim towards a slightly more adventurous style, even if most of the songs appear very straightforwrd in their delivery. Whereas it would be safe to say that the first half of the album eclipses the consistency of the second, there's still enough musical innovation to keep the listener interested until the end (more so the end of "Dust" than the actual album). That said, some songs are naturally more noteworthy than others, and this divide between truly qualitative tracks such as "Sunny Side of Heaven" and mostly unnecessary closer "Thoughts on a Grey Day" is exacerbated furthermore. These three songs are in no way copycats of each other, and yet what links them altogether is how fresher the material seems compared to the band's earlier days. For instance, you can tell the difference between Kirwan's hard-rocking opener "Child of Mine", Welch's groovier, more laidback "The Ghost" and Christine McVie's mostly piano-led "Homeward Bound". A shame then, given that Bare Trees was arguably the most confident album Fleetwood Mac had produced yet.īare Trees, like its two predecessors, is quite mixed in terms of musical style, and this is simply due to how much input each member had. This success, however, did not change the fact that, shortly after the release of Mac's sixth album, Danny Kirwan would be fired during the supporting tour.

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    Bare Trees was an album which proved every member was as integral to the band's musical evolution as each other, as well as Fleetwood Mac's most successful record yet, eventually achieving Gold status in 1976 and later Platinum for selling a million copies. It would be fair to say that with 1972's Bare Trees, Fleetwood Mac were the most confident they'd ever been since forming in 1967.











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